The fiction of H.P. Lovecraft has seen both a popular and critical resurgence over the past twenty years or so. This renaissance of interest in Lovecraft includes both a renewed attention to his own writing—including serious contemplation of his sometimes latent, often overt racism—and in turning his fiction into a great variety of medial texts, including (but probably not limited to) films and TV series, video games, podcasts, and board games. This seminar, which ties into an ongoing research project on Lovecraft adaptation, will attempt to utilize the complex example of Lovecraft—not just the writer of adaptable texts, but also the adjectival progenitor of a host of “Lovecraftian” fiction—to discuss the theory and philosophy of adaptation. We will begin by reading a number of Lovecraft’s texts and then proceed to view, play, and listen to a variety of adaptations of Lovecraft and of the “Lovecraftian.” We will seek to develop a theory of Lovecraftian adaptation in our own practice of engagement with these texts.